Originally Posted by
unclemeat
Report on the premiere from a Zappateer (TheImaginer) : "It. Was. Amazing.
This film is an unbelievable accomplishment. GREAT audio, truly amazing performances, shockingly good video restoration, and a triumph of concert movie editing. Even though it compiles footage from over three shows (sometimes even in the middle of songs), you would never know. It really feels like an intimate experience of being there on one of those legendary nights. Totally immersive.
After the film, there was a discussion/Q&A panel featuring Ahmet, Joe "the Vaultmaster" Travers, John Alberian (who did most of the edit and restoration), someone else who I'm sadly blanking on, but was instrumental in the correcting of the original footage, and Ralph Humphrey and Bruce Fowler themselves! They spoke at length about what a beast this was to actual put together, and confirmed the main reason for the delay was horrible, horrible technical problems when it was recorded in '73, leading to almost un-fixable sync issues. It took literally until the last two years or so for the right people to come along and the technology to catch up to what they needed in order to make it look and sound good enough to release. But man, did they ever do wonders with it. It looks like it was shot yesterday, and sounds incredible.
SPOILERS:
Highlights: Rhythm section only performance of "Cheepnis" leading into the full version, a jaw-dropping solo (and all around excellent rendition) of "Big Swifty", "RDNZL", actually getting to see the audience participation section of "The Bebop Tango".
Notable absences: "Village of the Sun" and "Pygmy Twilight". Joe answered a question about why those were omitted, and he said that the footage and performances were simply not up to par. He mentioned long sections of amazing solos where there was only one camera on, and the whole time it's just showing Frank's foot. Things like that. He also said that the Roxy album version of "Village of the Sun" is chock-full of overdubs, and for good reason.
I asked Ahmet and Joe about the quote he gave Rolling Stone referencing "opening the Vault doors wide open", and what treats we may have in store, and specifically asked if any of the late 70's Halloween shows would see a proper release. Joe's eyebrows went way up on that, and Ahmet pointed it out saying that should be an indication, as those are very close to the family and among their favorite shows, so as an "unofficial answer", it looks pretty damn likely. They also mentioned a soundtrack accompanying the DVD/Blu-Ray release (entirely worth it for the highlights mentioned above), and a comprehensive schedule in place for future releases. Apparently, the relationship with Universal is EXCELLENT right now, and it's a good time to be an FZ fan."
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