Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
Where Are They Now? Yes news: http://www.bondegezou.co.uk/wh_now.htm
Blogdegezou, the accompanying blog: http://bondegezou.blogspot.com/
LOVE Before a Word is Said! and, when I was in London in the fall of 1983, I saw an early version of Phil Miller's In Cahoots at a pub in Kentish Town: Miller, Richard Sinclair, Pip Pyle, Pete Lemer and Elton Dean. Amazing show, which they let me record (I asked first; even then...and had they said no, I’d not have done it). They opened with a long look at one of my fave tracks from BaWiS: the opening track, "Above and Below."
It was one helluva memorable evening, with a jaw-dropping "Calyx," along with some music that would ultimately show up in later In Cahoots albums.
Talk about right place, right time!!
John Kelman
Senior Contributor, All About Jazz since 2004
Freelance writer/photographer
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
"the masses have spoken, and this has appropriately vanished into the great Prog boner pile in the sky."
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
John Kelman
Senior Contributor, All About Jazz since 2004
Freelance writer/photographer
I'd say excellent (sitting front table center with stereo mike on the table) audience recording...but not something that would be of enough interest for a label to pick up and clean up for sale, as Steve F was alluding. But it's very clear, though there is definitely some of the room in it.
John Kelman
Senior Contributor, All About Jazz since 2004
Freelance writer/photographer
Finally found a good-priced copy of the Voiceprint edition from 1995 and just like the first Gilgamesh which I recently discovered this is a really fine addition to my Canterbury collection as well. Love Gowen's Minimoog-playing; reminds me sometimes of Max Middleton's stuff.
Max Middleton, really ? You don’t mean Jan Hammer ? I think of MM primarily as a Rhodes player...
John, are you aware of the Phil Miller legacy website? We had a brief thread about it a few months ago. Doug Boyle runs the site and is putting up some Phil live recordings. He might be interested in digitizing your tape and making it available on the site.
https://philmillerthelegacy.com/music/
I met with Doug and Herm (Phil’s widow) yesterday and there are lots of recordings in line for inclusion on the site (next up is one I made), and I will make my collection of In Cahoots recordings (which includes John’s - if he allows it to be shared in this way - it is one of the earliest documents of the band in existence) available, as Phil’s own archives has gaps - he apparently taped over things, so some of the soundboards I got from Pip’s cassettes years ago would turn out to be the only extant versions.
Ha, ha, yeah, I know what you mean. Of course Hammer was also on my mind, but some of the things Middleton did with Annette Peacock on The Perfect Release for example made me think of him listening to this album.
But yes, Middleton also has a typical, recognizable way of playing the Rhodes I really like.
Speaking of the Phil Miller legacy site, I didn't know that they had added a second gig from National Health's spring 1979 European tour.
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