All right, I'll take one more run at this. Was Grace Kelly right for the part in High Noon?
The older I get, the better I was.
“The red zone is for immediate loading and unloading of passengers only. There is no stopping in the white zone."
If you liked Her Serene Highness in Rear Window, you will have the same reaction in To Catch A Thief. The color is lush, the camara as flattering to Ms Kelly as in Rear Window. She was an exceptional Beauty in a place with no shortage of beauty. These 2 movies show her at her best.
I watched "To Have and Have Not" last night. Bogey and luscious, 19-year-old Bacall's first pairing. A great movie.
She was so effing hot.
"The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"
Another big name of the times was Tyrone Power. He was great in Witness for the Prosecution of course but that movie had some other great actors that it benefited from. Blood and Sand got a lot of press but he did a movie called Mississippi Gambler which I thought was a lot of fun.
The older I get, the better I was.
Yep, I was going to mention her, but was too lazy to look her up.
Delores Moran
https://www.google.com/search?q=Dolo...w=1440&bih=793
"The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"
Mad Max Fury Road Chrome Edition, or Logan Noir, anyone?
I really enjoyed seeing these films in black and white - they really did take on a whole new look and vibe.
Makes me think of Neo-Noir. 3 examples off the top; Chinatown, a crown jewel of neo noir. The recent The Nice Guys, actually retro neo-noir with its 70s vibe , maybe too much levity for true n-n. But I liked it. Then theres a favorite , the underappreciated Devil In A Blue Dress with Denzel Washington. Hits the classic noir themes with plenty of twists, conspiracy , 1 man against the world for the sake of principle goings on. I really liked it when I first discovered it. Heres a 4th ,just thought of but cant leave out. LA Confidential. That movie kicks noir ass.
Anyone add to this? Theres probably a bunch I missed. Although we are talking color in a BW thread...........
Just a great post. I've always wondered why Chinatown, especially, wasn't done in B&W. This is movies and I would think someone would have been sensitive to the story and feel. I also understand that B&W in a color world could be risky. DIABD is certainly underrated and would have been even better in B&W. Hoodlum would have benefited as well. LA C could almost be looked at as criminal for not being shot in B&W.
The older I get, the better I was.
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