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Thread: And the best Black and White movie ever is:

  1. #4001
    Quote Originally Posted by veteranof1000psychicwars View Post
    That is sadly true, l don't know anyone personally who has seen it. People's minds would be blown by Griffith's performance-certainly streets away from Sheriff Taylor. Should have gotten an Oscar for this. Elia Kazan should have as well, but that wasn't gonna happen.
    I've seen A Face In The Crowd. Excellent for reasons mentioned. Completely relevant today.

  2. #4002
    My Man Godfrey.
    Sleeping at home is killing the hotel business!

  3. #4003
    Quote Originally Posted by wilcox660 View Post
    My Man Godfrey.
    The Forgotten Man

  4. #4004
    Member Vic2012's Avatar
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    Not the best B&W movie but it's good enough ...... Son of Frankenstein....

  5. #4005
    How about A Hard Day's Night? That's a good one.
    I go, and come back, like memories and symptoms.
    I go, and come back, forever, evermore.
    Part of me remains abandoned in a circle.
    Part of me moves on.

  6. #4006
    The Ghost and Mrs. Muir
    Gaslight
    Hard Days Night
    Dr. Strangelove

    My favorites.

  7. #4007
    Quote Originally Posted by veteranof1000psychicwars View Post
    How about A Hard Day's Night? That's a good one.
    4 stars
    "The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"

  8. #4008
    Quote Originally Posted by ronmac View Post
    4 stars
    Absolutely! And not from what we consider the B&W era. Somehow it would not have worked in color.
    I go, and come back, like memories and symptoms.
    I go, and come back, forever, evermore.
    Part of me remains abandoned in a circle.
    Part of me moves on.

  9. #4009
    Member Jerjo's Avatar
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    Frankenstein and Bride of Frankenstein should always be viewed back to back, as one film. The direction, cinematography, and set design are just phenomenal. And it also makes Young Frankenstein that much funnier.
    I don't like country music, but I don't mean to denigrate those who do. And for the people who like country music, denigrate means 'put down.'- Bob Newhart

  10. #4010
    Quote Originally Posted by Jerjo View Post
    Frankenstein and Bride of Frankenstein should always be viewed back to back, as one film. The direction, cinematography, and set design are just phenomenal. And it also makes Young Frankenstein that much funnier.
    Totally agree. Pretty much every scene is iconic. I'd like to think that's not because I've seen them a million times.
    "The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"

  11. #4011
    "A Face in the Crowd" is on TCM right now.

    I thought for a second that I was watching the news.
    "The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"

  12. #4012
    Member Jerjo's Avatar
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    I see there's a free app through Prime that will allow my wife and I to watch an old favorite, the British horror anthology The Dead of Night. Closer to Halloween, we'll watch the Universal monster flics and of course The Haunting.
    I don't like country music, but I don't mean to denigrate those who do. And for the people who like country music, denigrate means 'put down.'- Bob Newhart

  13. #4013
    Member Lopez's Avatar
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    Quote Originally Posted by Jerjo View Post
    I see there's a free app through Prime that will allow my wife and I to watch an old favorite, the British horror anthology The Dead of Night.
    A big favorite of mine, too. Still has some terrifying moments.
    Lou

    Atta boy, Luther!

  14. #4014
    Member since 7/13/2000 Hal...'s Avatar
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    And Then There Were None (1945) on Kanopy. Based on Agatha Christie's novel, it is a good whodunit, only in that there's plenty of misdirection, so it keeps you guessing to the end. Otherwise, I didn't particularly care for the tone of it. There were too many attempts at humor and the soundtrack was never menacing, from what I recall.

    Stars Barry Fitzgerald, Walter Huston, and in a supporting role, Judith Anderson, best known for her role as Mrs Danvers in the Hitch classic Rebecca.

    5 out of 10 little Indians.
    “The red zone is for immediate loading and unloading of passengers only. There is no stopping in the white zone."

  15. #4015
    Member Jerjo's Avatar
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    We tried to stream the classic horror anthology Dead of Night (1945). It supposedly was on Plex, Plex had a fit when we tried to watch it and wanted me to subscribe. We ordered the DVD and we watched it last night. Yep, still a classic.
    I don't like country music, but I don't mean to denigrate those who do. And for the people who like country music, denigrate means 'put down.'- Bob Newhart

  16. #4016
    I watched "Ace in the Hole" (1951) with Kirk Douglas. Directed by Billy Wilder, it's about a reporter who gets fired from several newspapers and moves to a small town hoping for a big story to catapult him back to the top. A man gets trapped in an ancient Native American burial cave and Douglas takes over seeing this as his opportunity. Through conniving, scheming and blackmail, Douglas drags out the rescue from one day to seven so he can become famous and stick it to those who fired him in the past.

    I won't spoil the ending.

    I never saw this one before, but it was quite good.

    This movie, along with "A Face in the Crowd," which ran before it on TCM, were very very prophetic. Really ahead of their times.
    "The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"

  17. #4017
    Prime has a 40s movie this month called Affair In Trinidad. Stars Glenn Ford and Rita Hayworth . I probably have seen it but dont remember it. Most likely a repairing of the Ford -Hayworth team so successful in Gilda. Looks like a good noir , I'll watch it tonight.

  18. #4018
    So , my thoughts on Affair In Trinidad. Its a '52 movie not 40s. I looked it up on IMDB mostly to see if it was an MGM flick. It is and MGM didn'thave the hard edge of a RKO in the noir department. I missed the studio responsible at the beginning , but it felt watered down a bit. The flick is an attempt to recreate the Gilda chemestry with Hayworth and Ford. Fords character has the same immature emotional spectrum as in Gilda , cartoonish jealousy and long bouts of pouting. It didn't affect its popularity at the time , it was a big hit. Personally , the whole Hayworth schtick of dancing and singing wastes valuable plotline time. I find her dance awkward and unappealing. And the attempt to recreate the hair toss shot is lame. On a plus note , I had not seen this before , that I remember , and seeing something new to me from this era is always a pleasure. Middle of the road , worth a view if you like the genre and era.

  19. #4019
    Just turned on the TV and "Psycho" is on TCM. Sure, I missed the first 40 minutes, but this is one movie I simply cannot not watch.
    "The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"

  20. #4020
    Member Jerjo's Avatar
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    A few movies on TCM recently have reminded me, opening credits used to be an artform unto themselves and no one does it well anymore.
    I don't like country music, but I don't mean to denigrate those who do. And for the people who like country music, denigrate means 'put down.'- Bob Newhart

  21. #4021
    Quote Originally Posted by Jerjo View Post
    A few movies on TCM recently have reminded me, opening credits used to be an artform unto themselves and no one does it well anymore.
    "The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"

  22. #4022
    Member since 7/13/2000 Hal...'s Avatar
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    Quote Originally Posted by Jerjo View Post
    A few movies on TCM recently have reminded me, opening credits used to be an artform unto themselves and no one does it well anymore.
    I agree they used to be an art form but I wouldn't agree no one does it well anymore. Occasionally you'll see some where they put some thought into it. However, in general I agree.

    My favorites are either from the depression, where the font was art deco (or similar to it), the kind where they're paging through a book, or the ones that have illustrations (I want to say a Christmas in Connecticut was like that).

    Off the top of my head, I believe the best ones were usually Christmas movies, musicals, and family movies.

    Hitch had some really good ones, especially the ones done by Saul Bass, such as North by Northwest and Psycho.

    For post golden age movies, one that has always stuck out with me is Alien. I still think it's one of the coolest stuff I've ever seen.

    I've also always liked the opening credits for Woody Allen movies; the ones with white text on a black background. Even though they're really plain, the text is in a very recognizable, yet distinctive font.
    “The red zone is for immediate loading and unloading of passengers only. There is no stopping in the white zone."

  23. #4023
    Member Jerjo's Avatar
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    Hitch had some really good ones, especially the ones done by Saul Bass, such as North by Northwest and Psycho
    Saul Bass was the gold standard!
    I don't like country music, but I don't mean to denigrate those who do. And for the people who like country music, denigrate means 'put down.'- Bob Newhart

  24. #4024
    I've always liked cartoon opening credits. The Pink Panther , The Lady Eve are a couple of examples.
    Swirly art with a good score , Charade , Arboresque , both Henry Mancini music IIRC.

  25. #4025
    Yeah, I was going to mention Saul Bass, too. He was the gold standard as Jerol stated.

    The James Bond movies back in the day had good ones, too.
    "The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"

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