I listened to Strange Barbarians on repeat while drawing today. This 10+ minute mini epic is fricking marvelous!
Code:To Gaia, a son The last born Cain, the slayer The blind one The walker of shadows Of thy brothers and sisters That walk, crawl, fly and swim Why do they shun you so Outcast! To them the gatherers of souls Trakydanites Lords of perception Summoned by the cries of their mother In the darkness they found her Wrapped in a shroud In rage plunged into the veil Downward to lifeless bones Rivers seas forests still with silence Still with lifelessness And they wept And the weeping heavens Countless souls Like crows gathered in the high regions The rain their tears As the Mother dies, so the children Woe unto you, Cain Woe unto you, Man
Sorry, I don't understand this. Can you explain?
Also, I now have to listen to this album thanks to you bumping the thread!
Peter, I see what you meant about Xyrus' - he never actually sings on the album, he pulls a Rex Harrison (AKA a Richard Burton). I've always liked the vocals, except NOW I'm always going to notice this!
Last edited by JKL2000; 05-22-2023 at 01:17 AM.
Another funny Marillion connection:
the bands original drummer Gordon Feenie was a school mate of Fish and had an audition as a
replacement for Pointer with Marillion. According to Fish he blew that one most likely on purpose.
Yeah, I never knew what all the words were -- in fact, I had completely forgotten about that song.
Revisiting Somewhere but Yesterday this morning for the first time in quite a while. I really have a soft spot for this album, especially "Jonny Had Another Face" and "To Dance the Enamel-Faced Queen".
"what's better, peanut butter or g-sharp minor?"
- Sturgeon's Lawyer, 2021
There's the section called "The Labyrinth Penumbra" in the title epic and it features this dual "binaural" sorta lead vocal part by Cyrus. At some point there are two lead vocal lines panned hard left and hard right respectively, playing simultaneously. So, unless you're a master at multitasking, if it's your first hearing, to really get the whole picture, you gotta listen to that section twice. I do understand that some people might find it a bit distracting, but I really like it. It adds replay value and nicely illustrates the "voices in one's head" effect. Also, I think it was a spectacularly clever move to have those dual vocals "collapse" at the rhymed phrases "call you/at all" before the band moves onto the following part of the epic called "All the Sin's Men".
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