Yes, the actual “Green Book” is mentioned in the movie several times. I have done quite a bit of reading on details of the movie since seeing it. One criticism of the film is that, in the movie, the places where the Green Book directed the characters were all “dive” type establishments. According to what I have read, the actual Green Book, (which was published from 1936 to 1966), featured more upscale accommodations and restaurants than are depicted in the movie. Either way it is very interesting stuff that I was not aware of before seeing the film.
The "Green Book" (or a fictionalized version of it) is also at the core of Matt Ruff's Lovecraftian horror novel Lovecraft Country, which I heartily recommend.
Impera littera designata delenda est.
Here's the segment from CBS Sunday Morning if anyone wants to see it: Traveling with "The Green Book"
I forgot to mention the other reason I'm interested in seeing it: Linda Cardellini. I've had a crush on her since Freaks & Geeks. She's one of those rare actresses who gets better looking as they age.
“The red zone is for immediate loading and unloading of passengers only. There is no stopping in the white zone."
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
Watched Free Solo last night, after seeing it win the Documentary Feature category in the Academy Awards. Breathtaking - literally, sometimes. The footage is beyond incredible, and the soundtrack is spot-on (not including the Tim McGraw tune over the credits, which I could have done without). Some fascinating glimpses inside Honnold's mind and his motivations. I can't fathom wanting to attempt free solo climbing, but this film had me on the edge of my seat with sweaty palms. Highly recommended.
David
Happy with what I have to be happy with.
Just watched Green Book. I havn't seen all the completion for this years Best Picture yet , but GB is a damn fine movie. Both leads were very good , and the picture hadf a great look. Well directed, respectful but not heavy handed treatment of the subject. The wife enjoyed also. I really don't think it deserved the PC hit job it got. Spike Lee really came off looking like a sore loser especially. Easy 9 of 10 IMO.
“The red zone is for immediate loading and unloading of passengers only. There is no stopping in the white zone."
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
I'm one of the 212.
Incidentally, Snoopy's brother was named Spike, too.
“The red zone is for immediate loading and unloading of passengers only. There is no stopping in the white zone."
Showtime 2 is running a 2018 2 hr. 15 min. new documentary, Eric Clapton:Life In 32 Bars, directed by Lili Zanuck, that I just finished watching.
Narrated by mostly EC himself, with input from, among many others, Chris Dreja, John Mayall, George Harrison & Roger Waters, it has some incredible footage, including The Roosters, the first band he ever played in. It spans his entire career, and he pulls no punches when it gets to his "smack" period.
Highly recommended.
"My choice early in life was either to be a piano player in a whorehouse or a politician, and to tell the truth, there's hardly any difference"
President Harry S. Truman
Saw it previously, it's very good, the smack year performances are brutal to watch.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
I'm one of the 212.
I'll have to look for that. Showtime has been showing a lot of music documentaries lately. They've got a really good Jeff Beck one that I saw a couple months ago, and they've also been running one about George Michael, one about Lynyrd Skynyrd (which I posted about a few months ago), and a few others.
Tonight we watched Victoria & Abdul, a delightful film about the latter days of Queen Victoria's life with her young Indian assistant/teacher/friend Abdul Karim. Outstanding acting from the leads (Judi Dench plays Victoria) and the film moves at a good pace, with a perfect balance of drama and light comedy. Really enjoyed it.
After only recently finishing the Victoria BBC series (season 3), it was kind of strange to jump ahead fifty or sixty years in her life, but fascinating all the same. Eddie Izzard plays her son Bertie.
Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.
*** Join me in the Garden of Delights for 4 hours of tune-spinning... every Saturday at 5pm EST on Deep Nuggets radio! www.deepnuggets.com ***
Caught the latest Jurassic World a few nights ago. It scratched my giant monsters itch, but that's about it. Really not that great. Passed the time fine though.
"Who would have thought a whale would be so heavy?" - Moe Sizlak
Watched most of an early 70's French picture called Trafic. Directed and (sort of) starring Jacques Tati (who I understand to have been a highly rated director, though he only made something like 9 feature films), the picture is basically a comedy about a crew trying to transport a prototype car from somewhere in France to Amsterdam for a car show. Interesting picture, I enjoyed it, but the DVR ran out of space near the end, hopefully, I'll get another chance to see it in the not too distant future (I may also check out more of Tati's pictures).
One scene I liked was this overhead shot of the floor of the car show, where you see people looking at several cars, opening and closing the bonnets, boot lids, doors, etc. Hard to explain, there was just something I amusing I found about the choreography of the scene. Its' one of those things like the scene in Room Service where the Marx Brothers are eating, you can't explain why it's funny, it just is. At least, to me it is.
One thing I found intriguing wast he occasional line of English I'd hear in the dialog. Someone's talking in French or Dutch, and suddenly, in the middle of that, you'll hear a few words of English. And it happens multiple times through the picture, by several different characters. Seemed strange. The way it happens in the movie, you have to figure Tati did it deliberately, but one wonders if there was a "reason" beyond "Long after I'm dead, I'm going to be making smoke pour out of some American dork's ears with this shit".
Last edited by GuitarGeek; 03-16-2019 at 05:25 PM.
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
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