Maybe because it was at one moment part of what became Cold Wind To Valhalla on Minstrel? Both songs were born from one longer track. First time I heard Salamander I had to check why suddenly my player changed to the Minstrel album
Maybe because it was at one moment part of what became Cold Wind To Valhalla on Minstrel? Both songs were born from one longer track. First time I heard Salamander I had to check why suddenly my player changed to the Minstrel album
Amazing cover of Salamander. Ian was such a talented bloke...I mean technically he still is.
There's no question, he recycles parts of the opening riff and feel of "Cold Wind" in "Salamander." He does eventually take the latter tune in some different directions and expands on some acoustic riffing over the basic "Cold Wind" idea, but it's always seemed like an alternative take on "Cold Wind" to me, and I generally find it to be one of his weaker acoustic tunes.
Bill
Wow, we can agree to disagree on that one. Salamander will always be one of Ian's acoustic masterpieces for me, and perhaps his overall most technical acoustic piece. I'm trying to think of something more challenging technically: maybe Velvet Green, but of course that is an ensemble piece. I've always loved it and prefer it to Cold Wind to be honest.
I made my own version of Too old. My fave songs are the ones that were meant to be for the proposed second album which would have been much more of a Tull album. The released album was a soundtrack. The song order is something like
Strip cartoon
From a deadbeat
Commercial traveler
Salamander
Pied piper
Crazed institution
Salamander ragtime
Too old to rock n roll
Small cigar(full version)
Chequered flag
Only half the album songs were remixed and you can hear a big difference. Hopefully they find the missing tapes with the rest of the album and other bonus stuff
Soooo good. And probably the most complex Tull has ever been : Hunting Girl, Velvet Green, SFTW, Pibroch, Cup Of Wonder, etc. Inspired stuff for sure
I resisted the folk era Tull for some time but have come around to it recently. I prefer Heavy Horses to SFTW.
In 1976 I bought a Jethro Tull Christmas EP from Dennis Hill ( RIP) who was a Rock journalist and reviewed albums . He was always getting shipments of LP's ...reviewing them and selling them .
I really liked that EP and especially Pan Dance which was magical. In 81' Jethro Tull released another Christmas EP although I wasn't familiar with it aside from the cover.
I always wanted them to be released on cd , but they weren't and I'm not sure if Ian Anderson could compile enough 70s and 80s Christmas EP's for a entire disc. ..however there are some tracks on the 20 Years of Tull disc which are fitting .
None of this was ever pursued. The covers would make great gatefolds and the line ups were outstanding. Nevertheless Ian Anderson released a different Christmas album with re-recorded versions of certain older songs....which was not bad...but I certainly think having the old Christmas EPs released on one complete cd is a cool idea. If desperate for material they could include album tracks like Fires At Midnight. I seriously doubt they would invest in this...
/\/\/\
I love that Xmas ep. Was give it as a xmas present by my brother. Pan Dance and March the Mad Scientist are probably my two favourite Tull tracks
'I would advise stilts for the quagmires"
Repressing of the Stand Up, Passion Play, War Child and Heavy Horses boxes are on the way:
https://burningshed.com/index.php?ro...uv7d9tqpwU4gMQ
Missed out on War Child the first time, so that’s a no-brainer add.
I want to dynamite your mind with love tonight.
I did a Tull semi-binge myself just two weeks ago, and listened to Brick all-way-through for the first time in what was possibly 20 years or so. I also played half of my old vinyls of War Child, Minstrel, Songs From the Wood and Stand Up, plus significant portions of A Passion Play (including "Hare").
Minstrel remains a fave of sorts still, not only because it was in that very first bunch of Tulls I purchased back at 15-16 y.o. but due to its base set live-in-the-studio recording of guitar/bass/drums+Ian which renders a force so vital even today. There's a truly tremendous -schtick- to that album which I don't truly hear in any of their other records, even present in an acoustic ballad like "One White Duck/Nothin' At All".
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Hurtleturtled Out of Heaven - an electronic music composition, on CD and vinyl
https://michaelpdawson.bandcamp.com
http://www.waysidemusic.com/Music-Pr...MCD-spc-7.aspx
Bookmarks