I actually think it's the second best thing Brand has worked on, after Epilog. The more advanced harmonics suit him, as do the dense dynamic. You can clearly hear his affection for stuff like Dün and Jean-Paul Prat in these recordings.
I'm at a most eschatological point of release and departure as far as the "symphonic" rock conundrum goes in general, though. This kind of issue - All Traps on Earth - is merely a faint exception to the rule AFAIC. But it's a very, very good exception all the same - like Ske's 1000 Autunni was already some eight years back.
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