Probably the best interview with CV I have ever read.
http://blog.musoscribe.com/index.php...view-part-one/
Christian’s grandparents were from Poland and Germany.
Probably the best interview with CV I have ever read.
http://blog.musoscribe.com/index.php...view-part-one/
Christian’s grandparents were from Poland and Germany.
They keep referring to Stella as his wife, though. That ship sailed long ago, so you woult think they would get it right for once.
I'm not lazy. I just work so fast I'm always done.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
"the masses have spoken, and this has appropriately vanished into the great Prog boner pile in the sky."
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
Yes! That percussive approach to the piano is exactly it! That's one of the things I love about Würdah îtah.
I agree with all of what you said actually; the context is a key element to why it works so well. Vander has always been a genius at that sort of stuff.
But the lingering question... is he prog?
Has she kept "Vander" as her last name? I kept thinking she had (though I could be totally wrong), which was why I didn't realize until the last few years that she and Christian were no longer married.
It's interesting that she has continued working with CV and Magma all these years. Glad she has though!
So have both Andersons done about their respective bands (Tull and Yes), Phil Collins about 'sissies, Zappa about his own work, Daevid about Gong's, Chris Cutler about Henry Cow's and Nick Mason on Floyd.
"Genre" is never about intent - it's about established, general definition and its application. I keep thinking of Jonathan Demme's spoof about 'Silence of the Lambs' actually being a tale of vaudeville (which was indeed why there was later a musical play based on the script), or the Zodiac (serial) killer's letter to journalist Paul Avery in which he referred to 'The Exorcist' as a satirical parody on religion.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
"the masses have spoken, and this has appropriately vanished into the great Prog boner pile in the sky."
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
I love Wurdah Itah, both studio and various live versions. My vote for a great newbie Magma indoctrination would be Felicite Thosz, especially the DVD Epok version. Beautiful!
Yep, she remains Vander, as was Isabelle Feuillebois for some time. Zab is now remarried, as of a few months ago. Stella had Julie with Christina, Marcus with Francis (Venus DeLuxe)- who was with Liza Bois (Liza DeLuxe) before Stella. Who can keep track??? (Well me apparently).
I'm not lazy. I just work so fast I'm always done.
Same here too... Her keeping the name of her ex leads to the confusion.
But then again, many European divorced women chose to keep their ex-husband's name in her generation and later one, if only to keep their name the same with their kids
(my mom did too, though she added her maiden name afterwards)
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
Mmh... I disagree with several of the above. First, Stella has sometimes (even on one or two releases iirc) called herself "Stella Linon" - I assume she and Francis are married. She probably keeps Vander as her *stage* name for convenience and name recognition. I don't think Isabelle and Christian were ever married, let alone her adopting "Vander" as surname.
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
By 1974-75, theirs was already an "open marriage", as 'documented' in Didier Lockwood's autobiography in which he told about his affair with Stella and how Christian didn't seem to really mind... By 1978, when Antoine de Caunes' biography came out, it was mentioned that Christian was now involved with someone else, and referred to Stella as his "sister" (I guess in a "spiritual" sense).
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
Wurdah and 1001 are excellent.
Udu, Attahk, Merci and Kohn are pretty good
Mdk and Kobaia are average
^ As for Kobaïa (aka Magma), it's way better than its reputation. Side 4, especially, is marvellous.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
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