Sounds like you're talking about the "Kidd" series, which I haven't read yet. (So many books, so little time!)
Titles include:
The Fool's Run
The Empress File
The Devil's Code
The Hanged Man's Song
Sounds like you're talking about the "Kidd" series, which I haven't read yet. (So many books, so little time!)
Titles include:
The Fool's Run
The Empress File
The Devil's Code
The Hanged Man's Song
Music isn't about chops, or even about talent - it's about sound and the way that sound communicates to people. Mike Keneally
Currently reading these:
The Secret History of the World - Jonathan Black (the perfect antidote for those of us who are fed up with the cold, clinical, "science is all" writings of Hitchens, Dawkins et al.)
Necronomicon - Simon
Neverwhere - Neil Gaiman
Wild Abandon - Joe Dunthorne
Brendan Behan's New York
Last edited by PeterG; 11-13-2012 at 05:58 AM.
Yes, I like him, I read Field of Blood - which was about an ex-IRA man and a British officer. The only problem I have with GS writing about Northern Ireland is that his research is occasionally lacking, when he gets simple details wrong. Sometimes details that any squaddie in either the British Army or the IDF could have told him and sometimes details that any Belfast local could have told him.
I haven't read the whole thread so I don't know if it's been mentioned yet but I'm reading David Byrne's How Music Works. Is there any musician as erudite yet accessible? Is Byrne ever uninteresting? No. Buy this book!
Read Ian Rankin's latest, Standing in Another Man's Grave, over the weekend - it's just been published, & marks the return of Rebus...as does, if there are any prog fans out there, Tony Kaye, of the Complaints team.
Last night, I finished The Master of Bruges, by Terrence Morgan, a novel woven around the life of the painter Hans Memling - there are a series of short mini-treatises on painting, but the main sections aren't nearly painterly enough (there's virtually no sense of Memling being in Bruges, a most "painterly" town). There is also a rather far-fetched plot strand involving various players in the latter stages of the Wars of the Roses...
How are you finding this? I recently read Wolfe's latest, Home Fires, which I thought was pretty good, if not quite up to classic standard (& on the back of which, I'm working my way through R.L. Stevenson's The Suicide Club) - & am currently dipping in & out of The Island of Dr Death & Other Stories & Other Stories.
I suspect you may be enjoying both, greatly
I read The Name of the Rose, many years ago, and enjoyed it immensely. I then picked up his Faucaults Pendelum and, though I did finally manage to finish it, thought it was one of the hardest books I ever read. I really needed an internet (there wasn't one yet when I was reading this book) just to check out all the damn references. The only harder book I ever tried to read was James Joyce Ulysses (made it through chapter 4, then gave up).
So, is this new one a story or a theoretical treatize ? Based on the comments on Amazon they say he will wear most readers out in 25 pages and cause the average reader to throw the book at a wall after 100.
You had the 'inside track' though, and would quickly pick up the small inaccuracies. I had the same thing with his "A Song In The Morning".
I just finished his "The Collaborator - quite good, set in the criminal underworld of Naples.
I think a lot of people (particularly those not originally from the UK / Ireland) will have difficulty with his writing style.
I've never read Rankin - don't even know what his style is like. Any insights..?
Regards,
Duncan
Go figure, I swallowed the full thing when I was 15 years old. Took a few months, but I remember enjoying it. Nowadays, though, I think it was clearly a mistake, 'cause I only vividly remember three chapters towards the end (one structured as a stage play, another telling the same story in call-and-response fashion, and finally the last one with the famous "stream of consciousness" bit). I must familiarize myself with the rest again, it would be interesting to see what impression this book's gonna make on my current self as opposed to the Benjamin-from-Coe's-"The Rotter's Club"-type of guy that I've been at 15.
Guess I should've read "Foucault's Pendulum" at 15 too, because when I got to it some ten years later, I couldn't make my way through it and stopped after 1/3 of the book or so Still a big fan of "The Name of the Rose", though.
Currently reading: Patti Smith's "Just Kids". She tells a story of her own life, and of course Robert Mapplethorpe's too. Pretty fascinating so far.
I know you responded elsewhere, but I'll jump in anyways. For my post, I was referring to the latest in the Flowers series, Mad River. There's also one other I haven't read not tied in to the Minnesota triad titled Dead Watch.
The Davenport Prey series is my first choice, but I have read all the Kidd and Flowers novels as well... That Fuckin' Flowers makes more for a good-humored, comedy relief type of read for me, and I thought the Prey books faltered a bit when the series featured a kinder, gentler domesticated Lucas (some might say pussywhipped). I prefer my Prey books darker, as in the days when Davenport was in the throes of his depression. Nowadays, he's more of a bit player tending to his herd, rather than the main focus vigilante I came to admire. The Kidd series was similarly dour (and that's the way I like 'em) via Kidd and LuEllen's coke-fueled escapades.
Some don't care for the contrivance, but I do enjoy when Sandford's protagonists cross-pollinate the other two series.
Sandford attempted to start up a fourth franchise that went nowhere after the first publication of The Night Crew, which I would've like to have seen continued.
At present, Sandford and Elmore Leonard are my top two crime noir novelists. The flow of their books is such that, once I pick 'em up, I can't put 'em down til I've I read 'em front to back. I only wish the Sandford novels could make the jump to film or TV as successfully as Leonard's have over the years. (Get Shorty or Justified, anyone?)
Douglas Preston and Lee Child are another two that I'm starting to dig into. I had a chance to meet and speak with Preston when he stopped in to my ASU magazine writing class for a Q&A, and he was extremely affable and forthcoming.
Last edited by -=RTFR666=-; 11-13-2012 at 03:54 PM.
-=Will you stand by me against the cold night, or are you afraid of the ice?=-
The Fountainhead by Ayn Rand
Duncan - the only thing I'd add to the previous recommendations is that the books are very rooted in Edinburgh - almost to the extent that the City becomes a caracter in its own right. Rankin has always made it clear that the whole Jekyll & Hyde/Deacon Brodie double life strain that runs through Edinburgh is his real interest (I had never consciously recognised that the Jean Brodie of Muriel Spark infamy is supposed to be descended from the good/bad Deacon).
The first 3 or 4 in the series are good enough - but he really taps a rich seam from the Black Book on through to Dead Souls - since when they've tailed off ever so slightly.
Thanks - that actually increases the appeal for me, and I'm familiar with Edinburgh.
Speaking of "the books are very rooted in Edinburgh - almost to the extent that the City becomes a caracter in its own right" - has anyone tried the "44 Scotland Street" series? Gentle little character studies, easy reading time-fillers, but quite pleasant - and again, the city itself takes something of a leading role.
Regards,
Duncan
Best of Myles started out with some very funny pieces, but the ones I'm reading now towards the middle of the book are a bit boring. So it's a bit of a mixed bag to be honest.
The Thomas Pynchon was very enjoyable. I think I'm going to try Gravity's Rainbow next (The Crying of Lot 49's fairly short, so I thought I'd read it as a kind of taster), which I'm told is a very difficult read, so wish me luck
I'm currently reading Deke Leonard's 'Rhinos Winos & Lunatics: the Legend Of Man', which is hilariously and quite brilliantly written. One of the best rock books I've ever read, along with Ian Hunter's 'Diary Of A Rock And Roll Star' and Lemmy's autobiography.
You honestly don't need to know a note of Man's music to enjoy Leonard's book - you'll still laugh out loud.
The Castle of Otranto - Horace Walpole
Cargo of diamonds as you are: nothing more valuable, nothing more tough. - A. M. Beal
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