Curse of The Hidden Mirror is a great BOC album. It's heavy, and proggy in spots. Recommended. I've heard Heaven Forbid on Youtube. I think it's pretty close to heavy metal.
I think it is because B.O.C.’s music is so eclectic that it is difficult to categorize. I once heard them called “Thinking Man’s Metal” which I thought was a pretty good description even though they don’t really do a lot of metal. The more contemporary band Ghost, who are very influenced by B.O.C. have the same problem. They get lumped into the metal category, but the majority of what they do is not metal.
For me “Heaven Forbid” is the better album of the two. If this album had been released in the 70’s or 80’s there are several songs that I think could have been huge hits. I don’t like “Curse Of The Hidden Mirror” as much, but it does have it’s moments and is worth owning.
They're all musts. I love Curse and The Symbol Remains.
Club Ninja's issue is that songs by outside writers were forced on them, as with Triumph's The Sport of Kings around the same time. The band's material is good, but the dreck really pulls everything down ("Beat 'Em Up" being the worst offender, it has no place on a BÖC album). Thus, Club Ninja deservedly gets panned. That said, it's still worth having for "Madness to the Method" alone!
Last edited by dropforge; 03-20-2024 at 01:22 PM.
The studio releases after Imaginos are:
* Bad Channels soundtrack (there are only two BOC studio tracks on this, but they're both very good. The rest of the album is padded by some very poor tracks by bands you haven't heard of before, and about 30 minutes of Buck noodling around on synths I believe (though this is labeled as Blue Oyster Cult, it's not the full band), that are music cues from the actual film. Other than the two studio tracks, the rest of the album is not worth listening to, IMO)
* Cult Classic (re-recordings of their earlier 70's/80's hits. This is actually a pretty good album, and a fun listen. There are two instrumental versions of Godzilla and Reaper at the end. I believe they may have been used in the tv version of Stephen King's The Stand that came out the same year, 1994).
* Heaven Forbid
* Curse of the Hidden Mirror
* The Symbol Remains
* ...and the upcoming release, Ghost Stories
There have also been a number of live releases, which may be hard to keep up with, so I'm not going to list all of them. Most are post 2000's recordings, though a 1983 show was officially released as well.
This came up on my feed:
Kinda thrashy. I dig it.
Just listened to a new interview with Buck. It sounds like B.O.C. are starting to wind down their career. He said this new album will most likely be the band’s last and that they are only playing around 30 live dates this year which is way down from their usual touring schedule. He didn’t come right out and say it, but it sure sounded like they may be heading toward a greatly reduced schedule. He also said he has a new solo song coming out later this spring although did not mention anything about an album.
It's perfectly understandable, though sad. I've seen them countless times and consider myself lucky to have seen them last year at Marin County Fair. I will see them anytime they come to the Bay Area. I really hope Buck
releases a second solo album at some point. I love Flat Out.
First time I saw BOC they were touring this album:
Love the production. Tight and muscular. It's heavy, but not metal. That rhythm section is punchy (Danny Miranda - bass, Bobby Rondinelli-drums). I love this album. First BOC album I ever bought. I have the t-shirt with the album art on it.
Anybody have the Columbia box set? I'm not sure if the remastering is the same as some of the individual re-issues but I read that some of the albums were improved quite a bit including On Your Feet Or On Your Knees. And there's two bonus discs of rarities. I don't know why I like these guys because it's not my usual cup of tea. But I've been listening to Tyranny and Mutation and I dig it.
There goes Tokyo.....
I love this f***ing song. Might be my favorite BOC song.
^^ I saw that tour (Spectres) in March of '78, front row center leaning on the stage.
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