Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.
*** Join me in the Garden of Delights for 4 hours of tune-spinning... every Saturday at 5pm EST on Deep Nuggets radio! www.deepnuggets.com ***
Fingers crossed for a reprint of SFTW and especially War Child one day, as I was dumb and am now filled with regret.
Please don't ask questions, just use google.
Never let good music get in the way of making a profit.
I'm only here to reglaze my bathtub.
I have been wise enough (he-hee) to buy all Tull boxes from the beginning, so right now I have 13.
This is really cool, Broadsword & the Beast is one of my top 3 Tull albums.
I wonder if Walk Into Light that Ian released the following year in '83 will get the same treatment as this one? That's too much wishful thinking, the bombastic keyboards by Peter-John Vettese follow the same vein.
Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.
*** Join me in the Garden of Delights for 4 hours of tune-spinning... every Saturday at 5pm EST on Deep Nuggets radio! www.deepnuggets.com ***
I don't dig the drum sound on Broadsword. I hope they got rid of that awful reverb and updated the sound. Other than that I like the tunes, the synths, and the dark mood of the album.
Can't. Wait.
I also really like Walk Into Light. I was surprised at the path IA took when I first heard it but it's so atmospheric - I think he totally pulls it off. Based on WIL I was open to IA trying a similar approach under the Tull banner but, on most of the songs, it just doesn't seem to work. I suspect it's largely the drums that are the problem - there's just too much going on, they're too prominent and too harsh sounding. I do wonder how it would sound with a drummer replacing the machines. From memory, IA seemed to suggest in an interview that re-doing UW with real drums would not be cost-effective. But IA has worked closely with Steven Wilson for a while now and SW has a track record in getting Gavin Harrison to replace drum machines on some early PT songs. I suspect that GH could deliver quality replacement drums for UW in a couple of days at his home studio.
"One should never magnify the harsh light of reality with the mirror of prose onto the delicate wings of fantasy's butterfly"
Thumpermonkey - How I Wrote The French Lieutenant's Woman
"I'm content to listen to what I like and keep my useless negative opinions about what I don't like to myself -- because no one is interested in hearing those anyway, and it contributes absolutely nothing to the conversation."
aith01
The writing on Under Wraps is really good - I would welcome the addition of real drums if it helped make the songs more approachable to people, but I also suspect that the right remix of the existing drum tracks could potentially do wonders for peoples’ perception of the album. It’s a real interesting album.
It took me a long time to realize this, but Under Wraps is my favorite of Tull's '80s albums. It's very weird and experimental, and the experiments aren't 100% successful, but in a way that's half the fun. I've always hated the idea that anything that's quirky and "wrong" in prog needs to be fixed to make it sound more mainstream. Let Under Wraps be Under Wraps, clattering Linn Drum and all.
Hurtleturtled Out of Heaven - an electronic music composition, on CD and vinyl
https://michaelpdawson.bandcamp.com
http://www.waysidemusic.com/Music-Pr...MCD-spc-7.aspx
Walk into Light is a very good album, would also like that one to get a book set treatment
Yes, this would be the only viable way I think. As I mentioned earlier, it would be like adding in the Chateau tapes to the Passion Play set (which is one of the best of the lot IMO).
Agreed about the songs and the synths. I think Ian's music - at that time, anyway - really lent itself to the moody synth textures of the day. This is one of those albums that I always have to pull out whenever we get talking about it!![]()
Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.
*** Join me in the Garden of Delights for 4 hours of tune-spinning... every Saturday at 5pm EST on Deep Nuggets radio! www.deepnuggets.com ***
The proof of the quality of the UW tracks can be found in this concert video. Starting at about 8 minutes in they do: Under Wraps, Later That Same Evening, Nobody's Car, and Apogee
After some classics they return to the new material and do: Fly by Night, Made in England, European Legacy.
I really hope UW gets the deluxe treatment and including Fly by Night would be a great addition.
Thanks so much for posting that video link Arturs. I was completely unaware that IA had included WIL tracks in the UW tour repertoire - although I perhaps should have realised as he has done this with later solo material on Tull tours.
I have the Raw Fruit official release of the 9 Sept 84 Hammersmith show but of course that is nowhere near complete, containing only 8 tracks. That release is from a BBC broadcast and I started wondering if the complete recording was available - I found a very intriguing YouTube video (audio only) of the whole two hour show. The video's uploader refers to the "rare Double Album LP" but google doesn't give any results for a 2LP release of this show. Does anyone know anything about this? I would love to get a non-YouTube download of this.
"One should never magnify the harsh light of reality with the mirror of prose onto the delicate wings of fantasy's butterfly"
Thumpermonkey - How I Wrote The French Lieutenant's Woman
"I'm content to listen to what I like and keep my useless negative opinions about what I don't like to myself -- because no one is interested in hearing those anyway, and it contributes absolutely nothing to the conversation."
aith01
The thing that amazes me about Ian Anderson, aside from the richness of his music, is how prolific he is. All of these reissues have a TON of extra tracks that weren't on the mainstream releases. Much of it is as good as what was released on the mainstream albums. Perhaps his only rival in the prog world is Frank Zappa who is in a class by himself as far as work ethic.
Problem will be that he stated that they don't have much extra stuff recorded for later records. So let's see where this series goes.
I could live with extra live stuff video or audio.
Listened to WIL this morning for the first time in forever, the songs were good, the synth sounds didn't bother me considering the time it was recorded but the production was murky as hell, I kept fiddling with the dials but help was not to be had, sigh.
And thank you for posting this. I too have the lame 8-song version but this is the real deal. It's got the original full setlist (note they cut out some of the new material by the time the tour hit the USA) and Ian's still got his voice! This show would be the perfect addition to an UW box.
Me too! I've managed to snag Benefit, A, This Was, Stormwatch, and TAAB (reissue) over the past year. The rest are out of my price range.
I either didn't know or didn't care about them when they were originally released. They are so incredibly well done! I wish that I had all of them now. I'm looking forward to Broadsword even though it's one of my lesser favorites and is more expensive than some of the other collections.
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