Which of the Hackett albums from that box set have remixes and which are upmixed?
My memory is the upmixes were the reason I didn’t spring for the box but I’d like to pick up the others if I can.
Which of the Hackett albums from that box set have remixes and which are upmixed?
My memory is the upmixes were the reason I didn’t spring for the box but I’d like to pick up the others if I can.
So it looks like Please Don't Touch and Spectral Mornings are the remixed ones with Voyage and Defector being upmixes so they're now added to my (long) wish list.
My EP on Bandcamp
https://taliesin2.bandcamp.com/album/nothing-stays
Seems you have answered your own question!
The strange thing about the information on the Premonitions-set is that Steven Wilson is credited for the New 5.1 surround sound mixes of Please Don't Touch and Spectral Morning, but that no one is credited for the new pseudo 5.1 surround up-mixes of Voyage Of The Acolyte and Defector. Not on the back-cover nor in the book.
My EP on Bandcamp
https://taliesin2.bandcamp.com/album/nothing-stays
I was in a Van Der Graaf Generator-mood yesterday and listened to the Stephen W. Tayler 5.1 surround sound mixes of Godbluff and Still Life. The versions of these albums were originally released in a boxset, but I bought these when they became available seperately. I think these two classics show the band at their most elegant state of mind and the gentle surround mixes do justice to this.
Some of them are on offer from Burning Shed right now: https://burningshed.com/store/ape/ape_sale?
Bryan Ferry: Boys And Girls. This SACD was released in 2005. It's one of the best sounding 5.1 mixes I heard. So much details, so much musicians. Yeah, you could say Ferry did this one the Steely Dan/Gaucho way.
Another classic-album in the player this week: 461 Ocean Boulevard from Eric Clapton. The 2004-SACD edition has a fine surround mix. Most instruments are steady on the five speakers, except the various drum-elements are on all. This suits the bluesy music from Clapton.
I bought this album mostly because of the track Let It Grow, which I heard for the first time in 1979 when a girlfriend ended our budding relation, saying "let it grow"... The track doesn't really fit on this album though, because of its almost progressive instrumentation with that symphonic ARP synth in the beautiful climax.
I've added two new surround mixes to my collection and listened to them today.
- Gentle Giant: The Missing Piece. The Dolby Atmos-mix by Steven Wilson is quite nice. The music has been discussed in other threads over here, so I can just add that the surround mix isn't as spectacular as previous releases, mainly because Gentle Giant made less effectful music on this album. Not a lot of harmony vocals here. But still a fine album I hadn't bought in 1977, so I only know some of the tracks from live-recordings.
- Air: Moon Safari. The Dolby Atmos-mix is on the Blu-Ray that comes with the 2CD/Blu-Ray set to celebrate the 25th anniversary of this album. The spacy, lounge-pop with great Moog-effects suites the surround mix very well.
[QUOTE=interbellum;1238325]I've added two new surround mixes to my collection and listened to them today.
- Gentle Giant: The Missing Piece. The Dolby Atmos-mix by Steven Wilson is quite nice. The music has been discussed in other threads over here, so I can just add that the surround mix isn't as spectacular as previous releases, mainly because Gentle Giant made less effectful music on this album. Not a lot of harmony vocals here. But still a fine album I hadn't bought in 1977, so I only know some of the tracks from live-recordings.
I finally had my first listen to the Missing Piece last night - I liked it a lot. There's still enough interplay between voices and (particularly) between guitar and keyboards that have been placed around you that as usual there are parts I'd never noticed before.
And finally being able to hear the bass (in both the 5.1 and stereo mixes) gives the whole album so much more muscle and punch.
My EP on Bandcamp
https://taliesin2.bandcamp.com/album/nothing-stays
I played Bruford's One Of A Kind, the Jakko Jakszyk 5.1 mix that came in the boxset Seems Like A Lifetime Ago, although it's also available seperate.
Great album, but I still have some trouble listening to this mix. Jakko made some strange choices, which make it all a bit unbalanced at times. In some cases he starts a Holdsworth-solo left-behind to continue it in the front-left speaker. I guess it would have been better to mix this album without to many surround-tricks. I must say though that the mix sounds better when you play it loud. When I played it softer it sounded even weirder.
This is one of my top 20 albums all time; played this up thread and did not like it that much; but the surround is better than the stereo remix/master.
Edit: while I did say up thread that I was gonna play it (and I did) - i guess I never posted my dislike - but it was better than my experience of the stereo rejiggering.
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Last edited by MudShark22; 05-04-2024 at 04:01 PM.
Death inspires me like a dog inspires a rabbit
KC's Power to Believe was on the playlist last night - the mix works well to be able to hear the individual guitar and stick parts more clearly.
Looks like David Singleton did the mix - it's a bit more conservative than some but still works.
My EP on Bandcamp
https://taliesin2.bandcamp.com/album/nothing-stays
If I had to pick I'd agree that the 80's and Wetton/Bruford stuff would be my favourites from KC but I like Power the most of anything they've done since Discipline/Beat. It has some really strong stuff on it.
My EP on Bandcamp
https://taliesin2.bandcamp.com/album/nothing-stays
Just listened to the 5.1 surround mix from Duke. Although Wind & Wuthering has always been my favorite Genesis-album, the last couple of years Duke has become my most played one. I guess that's partly because I love Phil Collins' almost desperate vocals on most of the songs, the powerful drums, the wonderful return of themes in Duke's End and the emotional melodies in some songs. But I must admit I mostly played it with my headphones on, so I'm not very familiar with this surround mix. I like it though.
Played Steely Dan's Gaucho and Genesis Duke tonight.
The SD is interesting - the main instruments are generally in the front speakers with things like backing vocals, horns, percussion etc are placed more in the rear. It means those things definitely catch your attention when they pop up.
Duke is good - Davis is a bit more conservative with the drums and lead vocals in the front but he spreads the guitar and keyboards across the rest of the sound stage nicely. His stereo mixes get slagged a lot but I'm fine with his surround work.
My EP on Bandcamp
https://taliesin2.bandcamp.com/album/nothing-stays
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