Probably better pay and benefits than being a prog musician!
But I have to admit I have a soft spot for their first two albums, and still play them from time to time. I remember hanging out at ProgFest 94 and someone passing out a MC sampler with "Ruins at Avalon's Gate" on it, and everyone was pretty wowed by it. Remember, this was before the prog revival had really kicked into high gear, and to hear a young band playing stuff like that was pretty exciting. I know Keith Emerson took notice, probably because of all the people going "Hey, Keith, there's a new band out with a keyboard player who sounds just like you!" Also, Jeff Brockman was good, but to put him in the same league as "Minneman, Portnoy , Peart, Harrison, Palmer" is a stretch. But there's clearly still enough interest in that old music for Brockman to keep surfacing it. Good for him.
Re: other Magna Carta bands, as I recall the one that got most press back then was Magellan, who I thought were OK but suffered from -- and this was all too common back then -- a low-fi, home studio production with regrettable use of electronic drums. Plus Trent Gardner's vocals were "an acquired taste" IMO. That label then became "The House of Tribute Albums!" Meh.
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