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Thread: The Bob Dylan Thread

  1. #126
    That recent Sinatra release showed that Bob can still sing if he chooses to.
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  2. #127
    I think Street Legal gets dumped on for the poor sound. The production wasn't great but the songs were. Slow Train Coming had far superior production and some great songs too so I think it was better overall but it is one of his religious albums so some take issue with that. Still, Mark Knopfler played great on the record and Bob would have him back along with Mick Taylor for the under appreciated Infidels album in 1983. Infidels would be in my top 5 of great Dylan records for Jokerman alone but I think the rest of the album is killer.

    I haven't been quite as keen on his great American songbook albums. I don't mind covers. Dylan's done his share. World Gone Wrong and Good As I Been To You were both covers albums but these were folk songs and it was Dylan and his guitar. He started as a folkie so these were OK but the Sinatra song book really isn't where I wanted to see Dylan go. Not that the two records are terrible, they aren't. Beautifully produced and played, Dylan sings well too, it's just not what I wanted to hear from him. McCartney did one too and it isn't my favorite record by him. Van Morrison did a country album a number of years ago and I get they want to pay homage to the music of the era and that's cool. Dylan, McCartney and Morrison are all great songwriters and that's what I want to hear them do. McCartney does the occasional early rock and roll songs album and those tend to work better for him and old jazz and blues tunes work better for Morrison. I think when they step away from what they do best is when it gets a bit off for me.

    The Rolling Stones new album, in December, will be an album of Chicago blues and that seems like a perfect fit. I wouldn't want them to do a great American songbook album either. Besides, Charlie Watts does a lot of that stuff on his solo records anyway.

    I hope Bob gets back to giving us some new material. I thought Tempest, his last album of original material, was very good. I suspect part of the reason he's done the American songbook records was to allow him the chance to build up some quality original material for his next record.

    Bill
    She'll be standing on the bar soon
    With a fish head and a harpoon
    and a fake beard plastered on her brow.

  3. #128
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    Quote Originally Posted by Adm.Kirk View Post
    The Rolling Stones new album, in December, will be an album of Chicago blues and that seems like a perfect fit. I wouldn't want them to do a great American songbook album either. Besides, Charlie Watts does a lot of that stuff on his solo records anyway.

    Bill
    Not for me...I really find it hard to get excited about a covers album. But I think those guys really don't have much gas left in the tank, creatively speaking- A Bigger Bang hasn't held up for me and the last two new songs 4/5 years back were by-the-numbers. Dylan is at least still trying.

  4. #129
    Quote Originally Posted by Adm.Kirk View Post
    I hope Bob gets back to giving us some new material. I thought Tempest, his last album of original material, was very good. I suspect part of the reason he's done the American songbook records was to allow him the chance to build up some quality original material for his next record.

    Bill
    I wish he would get Chronicle Vol 2 done and out. He ain't gonna be around forever. And there are supposed to be three volumes.

    Quote Originally Posted by JJ88 View Post
    Not for me...I really find it hard to get excited about a covers album. But I think those guys really don't have much gas left in the tank, creatively speaking- A Bigger Bang hasn't held up for me and the last two new songs 4/5 years back were by-the-numbers. Dylan is at least still trying.
    I also think it's a perfect fit for them. That's where they began and, IMO, did some of their best work. I do think Mick is terrible at singing the blues, unless you want it without soul. But, their early BBC recordings are pretty great, nonetheless.
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  5. #130
    Member Jerjo's Avatar
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    I don't mind artists doing a covers album but can often mean one of three things: contractual obligation, muse has temporarily run dry, muse has permanently run dry and I need to pay some bills. Given how productive Dylan has been in the last two decades I've got nothing against him doing an album of standards or whatever. God knows how many songs he has written in his lifetime. Some times you just want to sing something you like to sing. However, this does not give him permission to do a Christmas album.
    I don't like country music, but I don't mean to denigrate those who do. And for the people who like country music, denigrate means 'put down.'- Bob Newhart

  6. #131
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    I didn't know Bob did a Sinatra tribute album. Eh, not sure what to think of that.

  7. #132
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    Quote Originally Posted by Jerjo View Post
    I don't mind artists doing a covers album but can often mean one of three things: contractual obligation, muse has temporarily run dry, muse has permanently run dry and I need to pay some bills. Given how productive Dylan has been in the last two decades I've got nothing against him doing an album of standards or whatever. God knows how many songs he has written in his lifetime. Some times you just want to sing something you like to sing. However, this does not give him permission to do a Christmas album.
    All through his career (or at least pretty regularly since the motorcycle incident) Bob has taken time for a retreat into his roots. In general he's emerged creatively invigorated. I suspect it's a strategy that has kept him alive.

    I love the Christmas album. It makes me laugh sing along and laugh all the way down to my nuts. That's a gift in these times: one more from a career that IMO has been incredibly generous.

  8. #133
    Dylan always seems to take himself less seriously than his fans do.
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  9. #134
    Member Vic2012's Avatar
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    ^ He's not supposed to be covering Frank Sinatra. ..........

  10. #135
    Quote Originally Posted by Vic2012 View Post
    ^ He's not supposed to be covering Frank Sinatra. ..........
    Dylan loves Sinatra. In fact, one thing they both have in common (and I'm no Sinatra fan) is their great phrasing.
    "The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"

  11. #136
    Definitely agree on the phrasing. Dylan is a master of that. No matter what one may think of the tonal quality of his voice, the phrasing is impeccable.

    Don Was states the Stones did the new album in three days all in a circle without any effects, overdubs or fixes. He said that it's really a raw album. I think this could be a good move for them. Jagger is a brilliant harp player of the Little Walter school so I have high hopes that if Mick is into it the rest of the band are excited too because it's really Jagger's show. The Stones don't really do anything unless Jagger green lights it.

    Bill
    She'll be standing on the bar soon
    With a fish head and a harpoon
    and a fake beard plastered on her brow.

  12. #137
    W.P.O.D. Dan Marsh's Avatar
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    He played an old fashioned style (non Frank) set for the first time in over 3 years (I think) at Desert Trip on Friday.

  13. #138
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    Quote Originally Posted by ronmac View Post
    Dylan always seems to take himself less seriously than his fans do.
    Probably because we don't really know him, even if we think we do. And he likes to keep it that way.

  14. #139
    Quote Originally Posted by JJ88 View Post
    For me, Street Legal is the last album with the real magic touch IMHO. That was a big seller in the UK at the time.
    Well, I'm not completely in agreement. While the subject matter of his "Born Again Trilogy" is not his best, lyrically speaking, since it was really just Bob trying to get into some Christian woman's pants, the bands and music on Slow Train Coming, Shot of Love and Saved are all top notch. So, in a rare move for Dylan (and as a relative latecomer to him), I ignore the words and just focus on the bands and the terrific grooves.

    My favourite work is from the '60s, especially his work with Al Kooper/Mike Bloomfield, and The Band (before and after they became known as such), so i can't wait for the 1966 box coming soon. But complaining that he is just streams of words over 12-bar blues is (a) not entirely correct; and (b) diminishes his real strength: his words.

    Long before I began to actually "get" Dylan (thanks to my wife), I always looked upon him as an exceptional wordsmith...but an average singer and average musician. Still, some albums are captivating,. at least to me. Here are my personal faves:

    Highway 61 Revisited
    Bringing it All Back Home
    Blonde on Blonde
    John Wesley Harding
    Nashville Skyline
    Planet Waves
    Before the Flood
    The Complete Basement Tapes
    Blood on the Tracks
    Desire
    Street-Legal
    Slow Train
    Shot of Love
    Saved
    Infidels
    Empire Burlesque
    Time Out of Mind
    Love & Theft
    Modern Times
    Tempest

    Live is another story. If he's in a good mood he can be transcendent, with a great band. If he's in a bad mood, and this comes from one personal experience, he runs through the setlist as quickly as possible (I mean: significantly upped tempos) and doesn't engage with the audience at all. So I don't go see him live now. But man, I cannot wait for the upcoming '66 tour box with The Band.

  15. #140
    Member Jerjo's Avatar
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    But during that Christian period he did write Every Grain of Sand which might be his best lyrics of 80s

    In the time of my confession, in the hour of my deepest need
    When the pool of tears beneath my feet floods every newborn seed
    There's a dying voice within me reaching out somewhere
    Toiling in the danger and the morals of despair
    Don't have the inclination to look back on any mistake
    Like Cain, I now behold this chain of events that I must break
    In the fury of the moment I can see the master's hand
    In every leaf that trembles, in every grain of sand
    Oh, the flowers of indulgence and the weeds of yesteryear
    Like criminals, they have choked the breath of conscience and good cheer
    The sun beams down upon the steps of time to light the way
    To ease the pain of idleness and the memory of decay
    I gaze into the doorway of temptation's angry flame
    And every time I pass that way I'll always hear my name
    Then onward in my journey I come to understand
    That every hair is numbered like every grain of sand
    I have gone from rags to riches in the sorrow of the night
    In the violence of a summer's dream, in the chill of a wintry light
    In the bitter dance of loneliness fading into space
    In the broken mirror of innocence on each forgotten face
    I hear the ancient footsteps like the motion of the sea
    Sometimes I turn, there's someone there, other times it's only me
    I am hanging in the balance of the reality of man
    Like every sparrow falling, like every grain of sand
    I don't like country music, but I don't mean to denigrate those who do. And for the people who like country music, denigrate means 'put down.'- Bob Newhart

  16. #141
    Member Oreb's Avatar
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    Quote Originally Posted by jkelman View Post
    While the subject matter of his "Born Again Trilogy" is not his best, lyrically speaking, since it was really just Bob trying to get into some Christian woman's pants,
    That's beneath you.

    Does it matter that this waste of time is what makes a life for you?

  17. #142
    Quote Originally Posted by Jerjo View Post
    But during that Christian period he did write Every Grain of Sand which might be his best lyrics of 80s

    In the time of my confession, in the hour of my deepest need
    When the pool of tears beneath my feet floods every newborn seed
    There's a dying voice within me reaching out somewhere
    Toiling in the danger and the morals of despair
    Don't have the inclination to look back on any mistake
    Like Cain, I now behold this chain of events that I must break
    In the fury of the moment I can see the master's hand
    In every leaf that trembles, in every grain of sand
    Oh, the flowers of indulgence and the weeds of yesteryear
    Like criminals, they have choked the breath of conscience and good cheer
    The sun beams down upon the steps of time to light the way
    To ease the pain of idleness and the memory of decay
    I gaze into the doorway of temptation's angry flame
    And every time I pass that way I'll always hear my name
    Then onward in my journey I come to understand
    That every hair is numbered like every grain of sand
    I have gone from rags to riches in the sorrow of the night
    In the violence of a summer's dream, in the chill of a wintry light
    In the bitter dance of loneliness fading into space
    In the broken mirror of innocence on each forgotten face
    I hear the ancient footsteps like the motion of the sea
    Sometimes I turn, there's someone there, other times it's only me
    I am hanging in the balance of the reality of man
    Like every sparrow falling, like every grain of sand
    Great lyrics. I have heard this song done by others but no one pulls it off like Dylan.

    Bill
    She'll be standing on the bar soon
    With a fish head and a harpoon
    and a fake beard plastered on her brow.

  18. #143
    Bob Dylan just won the Nobel Prize for Literature. Well deserved.

  19. #144
    Member Zeuhlmate's Avatar
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    He just got the Nobel prize in litterature - no fooling !

  20. #145
    Well deserved, IMO. He changed poetic expression and was the voice of a generation.
    "The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"

  21. #146
    Utterly ridiculous.

    First off , they are likely giving it only for his folk period of 4 decades ago. The latest drivel is 'Lay Lady Lay"-type.

    Ever read his first "book", Tarantula? Right, give him nobel for that alone.
    They played Subterranean Homesick Blues as a tribute (example of his advanced lyrics?) on CBC this morning. Like Tarantula that is just stream-of-consciousness nonsense-rubbish slapped together to rhyme, disguised in somesort of purported "depth" and meaning.

    They rationalize: yeah but poet-Greeks like Sappho and wotnot, made their words to be sung.


    Disgusting.

    Fuck-off.

  22. #147
    Highly Evolved Orangutan JKL2000's Avatar
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    When I was a kid in the late 60s/early 70s we were singing Blowing in the Wind in day camp right along with Woody Guthrie and traditional folk songs, so I think Dylan definitely deserves this.

  23. #148
    "Better jump down a manhole
    Light yourself a candle
    Don't wear sandals
    Try to avoid the scandals
    Don't want to be a bum
    You better chew gum
    The pump don't work
    'Cause the vandals took the handles"

    Musta bin fun to sing.
    Flows trippingly off the tongue.


    Top song.

    But literature?

  24. #149
    Highly Evolved Orangutan JKL2000's Avatar
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    Quote Originally Posted by Jandyce View Post
    Utterly ridiculous.

    First off , they are likely giving it only for his folk period of 4 decades ago. The latest drivel is 'Lay Lady Lay"-type.

    Ever read his first "book", Tarantula? Right, give him nobel for that alone.
    They played Subterranean Homesick Blues as a tribute (example of his advanced lyrics?) on CBC this morning. Like Tarantula that is just stream-of-consciousness nonsense-rubbish slapped together to rhyme, disguised in somesort of purported "depth" and meaning.

    They rationalize: yeah but poet-Greeks like Sappho and wotnot, made their words to be sung.


    Disgusting.

    Fuck-off.
    Welcome to PE - hope you enjoy it here!

  25. #150
    Quote Originally Posted by Jandyce View Post
    Utterly ridiculous.

    First off , they are likely giving it only for his folk period of 4 decades ago. The latest drivel is 'Lay Lady Lay"-type.

    Ever read his first "book", Tarantula? Right, give him nobel for that alone.
    They played Subterranean Homesick Blues as a tribute (example of his advanced lyrics?) on CBC this morning. Like Tarantula that is just stream-of-consciousness nonsense-rubbish slapped together to rhyme, disguised in somesort of purported "depth" and meaning.

    They rationalize: yeah but poet-Greeks like Sappho and wotnot, made their words to be sung.


    Disgusting.

    Fuck-off.
    Please, don't contain yourself.
    "The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"

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